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1.Moanin': Remastered by: Art Blakey
May 03, 1999
Average Rating:  out of 5 stars

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Music : Moanin': Remastered
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This is the sort of Jazz you'll hear in (coffee) bars. More emphasis on the (drum) beat than, for instance, in Miles Davis 'Kind of Blue'. Excellent playing, original compositions. Title track is one of the all time classic, instantly recognisable jazz tracks.
No freak rythms but big bouncy jazz. Classic album on par with the aforementioned. Better still, less 'cool' and less 'boring'(can one really say this?) than many of Miles late 50's and early 60's stuff. Recommended as an introduction or addition to the uniniated of jazz (like me). Can't be disappointing.

2.A Night at Birdland Vol.1 by: Art Blakey
August 13, 2001
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Music : A Night at Birdland Vol.1
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From the very opening moments of these remarkable recordings, one is at once struck by the sense that a moment of historical importance is being witnessed all over again. Blue Note's Alfred Lion, in his unerring vision, decided to record Art Blakey's new band at Birdland in February 1954. He had rightly sensed that something new, something thrillingly new, was afoot. Though Charlie Parker was still a year from death, bop was demanding an invigorating lease of life to take it into a new dimension of expressiveness and vitality. The resulting transformation of the now hackneyed music into something raw, urgent and fizzing with energy was to be popularly called "hard bop", and was thrust into public consciousness on this record, and its ... Read More:

3.Free for All by: Art Blakey
August 09, 2004
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Music : Free for All
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Throughout the 1950's and 60's, Blue Note issued hundreds of records that came to define what became known as "Hard Bop." Unlike other labels, they paid the musicians for their rehersal time and the tightness of the bands reflects this. I suspect that this contributes alot to the on-going popularity of records that are now over forty years old.
On this CD, Art Blakey leads his firey Jazz Messengers through four extended tracks on a testosterone-fuelled session that, for many , defines what "Hard Bop" was all about. There is little room for subtlety in this set and the opening title track sets the tone. This is undoubtedly the finest Messeneger's line-up with Wayne Shorter, Freddie Hubbard and Curtis Fuller completing the front line. (Shorter ... Read More:

4.A Night in Tunisia: Remastered by: Art Blakey
February 14, 2005
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Music : A Night in Tunisia: Remastered
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Throughout the 1950's and 60's, Blue Note issued hundreds of records that came to define what became known as "Hard Bop." Unlike other labels, they paid the musicians for their rehersal time and the tightness of the bands reflects this. I suspect that this contributes alot to the on-going popularity of records that are now over forty years old.
On this CD, Art Blakey leads his firey Jazz Messengers through four extended tracks on a testosterone-fuelled session that, for many , defines what "Hard Bop" was all about. There is little room for subtlety in this set and the opening title track sets the tone. This is undoubtedly the finest Messeneger's line-up with Wayne Shorter, Freddie Hubbard and Curtis Fuller completing the front line. (Shorter ... Read More:

5.Roots and Herbs by: Art Blakey
December 06, 1999
Average Rating:  out of 5 stars

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Music : Roots and Herbs
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Wonderful album. And Wayne Shorter's solo on the title track is the most intense sax playing i have ever heard.

6.Jazz Icons - Art Blakey And The Jazz Messengers - Live in '58 [1958] (Region 1)(NTSC) by: Art Blakey & Jazz Messengers
August 28, 2006
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Music : Jazz Icons - Art Blakey And The Jazz Messengers - Live in '58 [1958] (Region 1)(NTSC)
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Wonderful album. And Wayne Shorter's solo on the title track is the most intense sax playing i have ever heard.

7.Art Blakey's Jazz Messengers With Thelonious Monk by: Art Blakey
September 23, 2002
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Music : Art Blakey's Jazz Messengers With Thelonious Monk
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Wonderful album. And Wayne Shorter's solo on the title track is the most intense sax playing i have ever heard.

8.Indestructible: Rudy Van Gelder Remaster by: Art Blakey & the Jazz Messengers
August 04, 2003
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Music : Indestructible: Rudy Van Gelder Remaster
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In the early '60s the Messengers were a sextet that was combining their own take on hard bop with modal innovations and some of the aggression of `the new thing'. There were a string of excellent albums with Wayne Shorter on tenor, Curtis Fuller on trombone and normally with Freddie Hubbard on trumpet. Recorded in April 1964 this actually features Lee Morgan on trumpet and, with the exception of Free For All recorded two months earlier, is probably the fiercest entry in the whole recording history of the Messengers. Tough, abrasive and very exciting.

9.A Night at Birdland Vol.2 by: Art Blakey
August 13, 2001
Average Rating:  out of 5 stars

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Music : A Night at Birdland Vol.2
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In the early '60s the Messengers were a sextet that was combining their own take on hard bop with modal innovations and some of the aggression of `the new thing'. There were a string of excellent albums with Wayne Shorter on tenor, Curtis Fuller on trombone and normally with Freddie Hubbard on trumpet. Recorded in April 1964 this actually features Lee Morgan on trumpet and, with the exception of Free For All recorded two months earlier, is probably the fiercest entry in the whole recording history of the Messengers. Tough, abrasive and very exciting.

10.The African Beat by: Art Blakey
February 07, 2000
Average Rating:  out of 5 stars

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Music : The African Beat
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In the early '60s the Messengers were a sextet that was combining their own take on hard bop with modal innovations and some of the aggression of `the new thing'. There were a string of excellent albums with Wayne Shorter on tenor, Curtis Fuller on trombone and normally with Freddie Hubbard on trumpet. Recorded in April 1964 this actually features Lee Morgan on trumpet and, with the exception of Free For All recorded two months earlier, is probably the fiercest entry in the whole recording history of the Messengers. Tough, abrasive and very exciting.

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