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201.Singles Collected by: REM
September 25, 1997


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Music : Singles Collected



202.Bittersweet Me [CD 2] by: REM
October 07, 1996


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Music : Bittersweet Me [CD 2]
Off The Bookshelf's Price: £4.99
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204.Bittersweet by: REM
November 04, 1996


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Music : Bittersweet


206.I'll Take the Rain by: REM
November 27, 2001
Average Rating:  out of 5 stars

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Music : I'll Take the Rain
This, one of the best tracks from REM's latest album Reveal, evokes memories of their finest hour, Automatic For The People, and even earlier work such as Driver 8 and the unbeatable Cuyohoga. Buck's haunting guitar and the moody piano perfectly underplay Stipe's magnificently soaring, clear vocals. Who said that clarity would remove the mystique surrounding REM's lyrics? The other tracks are standard Athens, Georgia B-side issue, but for my money, ITTR is top drawer REM.

207.Around the Sun: Limited Edition by: REM
October 04, 2004
Average Rating:  out of 5 stars

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Music : Around the Sun: Limited Edition
R.E.M. move in yet another new direction with this, their 13th studio album to date. And, as per usual, I'm happy to follow them. As much as I miss Bill Berry, I can't help but feel that their last 3 albums have contained some of their best material ever.

Around The Sun has Michael's voice mixed high up, and while the synthesisers of Up and Reveal remain, many traditional instruments are used as well. Mike's piano features a great deal, especially on the brilliant Boy In The Well.

The record is lush and emotional, full of the band's political outrage after the recent American elections, and the lyrics reflect the band's political stance; Final Straw and I Wanted To Be Wrong are their most overtly political songs to date.
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208.MONSTER by: REM
Average Rating:  out of 5 stars

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Music : MONSTER
R.E.M. move in yet another new direction with this, their 13th studio album to date. And, as per usual, I'm happy to follow them. As much as I miss Bill Berry, I can't help but feel that their last 3 albums have contained some of their best material ever.

Around The Sun has Michael's voice mixed high up, and while the synthesisers of Up and Reveal remain, many traditional instruments are used as well. Mike's piano features a great deal, especially on the brilliant Boy In The Well.

The record is lush and emotional, full of the band's political outrage after the recent American elections, and the lyrics reflect the band's political stance; Final Straw and I Wanted To Be Wrong are their most overtly political songs to date.
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209.Aftermath [CD 2] by: REM
November 29, 2004
Average Rating:  out of 5 stars

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Music : Aftermath [CD 2]
R.E.M. move in yet another new direction with this, their 13th studio album to date. And, as per usual, I'm happy to follow them. As much as I miss Bill Berry, I can't help but feel that their last 3 albums have contained some of their best material ever.

Around The Sun has Michael's voice mixed high up, and while the synthesisers of Up and Reveal remain, many traditional instruments are used as well. Mike's piano features a great deal, especially on the brilliant Boy In The Well.

The record is lush and emotional, full of the band's political outrage after the recent American elections, and the lyrics reflect the band's political stance; Final Straw and I Wanted To Be Wrong are their most overtly political songs to date.
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210.Lifes Rich Pageant by: REM
Average Rating:  out of 5 stars

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Music : Lifes Rich Pageant
When REM returned to the studio in April 1986 to record their fourth album - the follow up to the tepidly received "Fables Of The Reconstruction (The I.R.S. Years Vintage)" they were determined to put the rather gloomy experience of recording that particular album behind them .In other words they wanted to revel in the process and i would say that it is fair to surmise that judging by the results they succeeded.
History would come to judge Fables rather more favourably but Lifes Rich Pageant ( named after an Inspector Clouseau saying in the 1964 film "A Shot in the Dark [1964]" according to Peter Buck) was pretty rapturously received on it's arrival and listening to it again recently it's not hard to understand why. Released in July 1986 and clocking ... Read More:

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