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1.ESSENTIAL HYMNS COLLEC. DH by: LOVE DIVINE September 14, 1998
>>More Details		List Price: £15.99 Off The Bookshelf's Price: £9.98 You Save: £6.01 (38%) Prices subject to change. Used Price: £9.75

2.The World of Favourite Hymns from: World of November 09, 1993
>>More Details		List Price: £8.99 Off The Bookshelf's Price: £7.99 You Save: £1.00 (11%) Prices subject to change. Used Price: £4.99

3.Bax/Finzi/Vaughan Williams: Choral Works from: British Composers June 10, 1996
Average Rating: >>More Details		Used Price: £9.89
This disc is rather disappointing in many ways. The music recorded here is important in the English choral tradition, but parts of the recording do not do the works justice. The disc starts well: Vaughan Williams's Mass in G is a fantastic work, and the performance by the Choir of King's College Cambridge is fine. David Willcocks yet again demonstrates why he is one of the finest conductors of choral music and one of the finest choir trainers of the latter part of the twentieth century. The choir's diction, tone, intonation, clarity, blend and intelligence are explemplary. The result is a recording of power, emotion and sensitivity. The second half of the CD is made up of King's performing works by Bax and Finzi. ... Read More:

4.Bartók - Bluebeard\'s Castle by: Richard Farnes May 01, 2006
Average Rating: >>More Details	$Music : Bartók - Bluebeard\'s Castle$	List Price: £9.99 Off The Bookshelf's Price: £8.99 You Save: £1.00 (10%) Prices subject to change. Used Price: £5.90
A beautifully shaded performance by Tomlinson and Burgess, extracting the utmost from the text. Throughout, Tomlinson plays Bluebeard with subtlety: the menace in the query 'Frightened?' when the first doors are opened is conveyed in tones of sorrow and reluctance. Burgess tackles her difficult role brilliantly, catching both the petulance when Bluebeard refuses to give her the keys, and her love for Bluebeard, this man she is attempting to understand. The highest praise also for Farnes, who brings out the bittersweet and very Hungarian qualities of Bartok's score. As for the choice of English: there are admitted problems in translating a text that has to be expressed in Hungarian speech rhythms to fit the music. There are occasionally ... Read More:

5.The World of King's, Vol.2 from: World of November 27, 1995
Average Rating: >>More Details		Used Price: £14.99
A beautifully shaded performance by Tomlinson and Burgess, extracting the utmost from the text. Throughout, Tomlinson plays Bluebeard with subtlety: the menace in the query 'Frightened?' when the first doors are opened is conveyed in tones of sorrow and reluctance. Burgess tackles her difficult role brilliantly, catching both the petulance when Bluebeard refuses to give her the keys, and her love for Bluebeard, this man she is attempting to understand. The highest praise also for Farnes, who brings out the bittersweet and very Hungarian qualities of Bartok's score. As for the choice of English: there are admitted problems in translating a text that has to be expressed in Hungarian speech rhythms to fit the music. There are occasionally ... Read More:

6.Vaughan Williams Choral Collection by: London Philharmonic Orchestra, Bach Choir, London Symphony Orchestra, Cambridge King's College Choir, Philharmonia Orchestra October 28, 2002
Average Rating: >>More Details		Used Price:
A beautifully shaded performance by Tomlinson and Burgess, extracting the utmost from the text. Throughout, Tomlinson plays Bluebeard with subtlety: the menace in the query 'Frightened?' when the first doors are opened is conveyed in tones of sorrow and reluctance. Burgess tackles her difficult role brilliantly, catching both the petulance when Bluebeard refuses to give her the keys, and her love for Bluebeard, this man she is attempting to understand. The highest praise also for Farnes, who brings out the bittersweet and very Hungarian qualities of Bartok's score. As for the choice of English: there are admitted problems in translating a text that has to be expressed in Hungarian speech rhythms to fit the music. There are occasionally ... Read More:

7.The Sound of Kings from: EMI October 01, 1999
Average Rating: >>More Details		List Price: £4.99 Off The Bookshelf's Price: £4.98 You Save: £0.01 ( 0%) Prices subject to change. Used Price: £1.94
A beautifully shaded performance by Tomlinson and Burgess, extracting the utmost from the text. Throughout, Tomlinson plays Bluebeard with subtlety: the menace in the query 'Frightened?' when the first doors are opened is conveyed in tones of sorrow and reluctance. Burgess tackles her difficult role brilliantly, catching both the petulance when Bluebeard refuses to give her the keys, and her love for Bluebeard, this man she is attempting to understand. The highest praise also for Farnes, who brings out the bittersweet and very Hungarian qualities of Bartok's score. As for the choice of English: there are admitted problems in translating a text that has to be expressed in Hungarian speech rhythms to fit the music. There are occasionally ... Read More:

8.The British Music Collection: Sir John Stainer by: Cambridge George Guest, Richard Lewis Owen Brannigan Choir Of St. John's College February 18, 2002
Average Rating: >>More Details		List Price: £8.99 Off The Bookshelf's Price: £7.99 You Save: £1.00 (11%) Prices subject to change. Used Price: £5.34
A beautifully shaded performance by Tomlinson and Burgess, extracting the utmost from the text. Throughout, Tomlinson plays Bluebeard with subtlety: the menace in the query 'Frightened?' when the first doors are opened is conveyed in tones of sorrow and reluctance. Burgess tackles her difficult role brilliantly, catching both the petulance when Bluebeard refuses to give her the keys, and her love for Bluebeard, this man she is attempting to understand. The highest praise also for Farnes, who brings out the bittersweet and very Hungarian qualities of Bartok's score. As for the choice of English: there are admitted problems in translating a text that has to be expressed in Hungarian speech rhythms to fit the music. There are occasionally ... Read More:

9.Abide With Me - 50 Favourite Hymns [CASSETTE] from: Double Decca August 01, 1996
Average Rating: >>More Details		Used Price: £9.95
A beautifully shaded performance by Tomlinson and Burgess, extracting the utmost from the text. Throughout, Tomlinson plays Bluebeard with subtlety: the menace in the query 'Frightened?' when the first doors are opened is conveyed in tones of sorrow and reluctance. Burgess tackles her difficult role brilliantly, catching both the petulance when Bluebeard refuses to give her the keys, and her love for Bluebeard, this man she is attempting to understand. The highest praise also for Farnes, who brings out the bittersweet and very Hungarian qualities of Bartok's score. As for the choice of English: there are admitted problems in translating a text that has to be expressed in Hungarian speech rhythms to fit the music. There are occasionally ... Read More:

10.The World of Wedding Music [CASSETTE] by: Cambridge King's College Choir, Vienna Philharmonic Orchestra, Covent Garden Royal Opera House Orchestra March 01, 1993
Average Rating: >>More Details		Used Price:
A beautifully shaded performance by Tomlinson and Burgess, extracting the utmost from the text. Throughout, Tomlinson plays Bluebeard with subtlety: the menace in the query 'Frightened?' when the first doors are opened is conveyed in tones of sorrow and reluctance. Burgess tackles her difficult role brilliantly, catching both the petulance when Bluebeard refuses to give her the keys, and her love for Bluebeard, this man she is attempting to understand. The highest praise also for Farnes, who brings out the bittersweet and very Hungarian qualities of Bartok's score. As for the choice of English: there are admitted problems in translating a text that has to be expressed in Hungarian speech rhythms to fit the music. There are occasionally ... Read More:

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