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1.Kind of Blue by: Miles Davis April 07, 1997
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I can understand why fans of Davis' jazz fusion, jazz rock and electric stuff may find this bland since it was recorded before he decided to explore that newer territory (which I find weird and disappointing). It represents just one part of his journey from the Rhumboogie Orchestra in 1944, via bop and Gill Evans, to the synthesizer-enhanced(?) din he was making towards the end of his career. Only a few days after this session was recorded Coltrane cut "Giant Steps", which is a fair indication of the direction he was a taking. However, for me and thousands of others this is a beautiful record, with all the musicians performing at their (then) peak. Even Coltrane makes a beautiful sound and they all swing mightily when that is ... Read More:

2.Somethin' Else: Remastered by: Cannonball Adderley April 05, 1999
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Somethin' Else: Remastered Quite by chance I caught just three or four bars of the theme of "Autumn Leaves" on the radio. It was so obviously Miles, and at his very best. I immediately decided, on the basis of that brief snatch of melody, to try to get the CD. But it was not easy to run it down as, of course, the band was under the (nominal) leadership of Cannonball Adderley. This is a wonderful CD with all players on top form and I heartily endorse what other reviewers have said. It is worth its modest price just for that exposition of the beautiful "Autumn Leaves" theme!

3.Birth of The Cool by: Miles Davis January 08, 2001
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I own several of MD's album - my personal favourite being Sketches of Spain. This album, which is rather dull, I made the mistake of buying on the basis of the track Rocker on a compilation. It's dificult to describe, but to me the sound is too undifferenciated to let the melodies and tune speak. It is an ambient album. Pleasant, but doesn't set the blood racing. Instead, buy in A Silent Way, Sketches... or Kind of Blue.....Or better yet by the Best of Blue Note Comp' - not a duff track on it

4.Maiden Voyage: Remastered by: Herbie Hancock June 14, 1999
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Like the sea itself, Maiden Voyage is vast and epic- flirting with adventure and myth. It is Herbie Hancock's tour de force- what the wonderous Speak No Evil was to his Blue Note peer, Wayne Shorter- ie. representing the composer/pianist at his imaginitive peak. We can only imagine what kind of zone Freddie Hubbard, George Coleman, Ron Carter and Tony Williams must have been during the recording of this masterpiece- so wonderfully coherent yet brimming with subtle musical conflict. And Hancock's playing is simply majestic. The opening track is stunningly simple- you might feel a little uninspired by the low-key opening, but then, all of a sudden, it all opens out beautifully during the trumpet solo. This short flourish embodies the ... Read More:

5.Midnight Blue: Remastered by: Kenny Burrell April 05, 1999
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Hynotic, subtle and the same time wonderfully soulful this record surely sits within the top five of all time Blue Note releases. It's the ultimate late night session. The consistently wonderfully Kenny Burrell who makes the difficult sound effortlessly simple gives a masterclass in Jazz guitar playing with an endlesss tapestry of smooth licks that melt into the instinctive groove of Stanley Turrentine's sax. It's a partnership made in heaven, they work so languidly off each other on, "Mule" The way Burrell brings in the track on,"Soul lament," with his emotive twanging are classic bars of music. I am also particularly fond of the waltz tempo on,"Wavy Gravy." This record is wonderfully focussed, Burrell's musical philosophy is stamped all over the ... Read More:

6.The Koln Concert: 24 January 1975 by: Keith Jarrett July 01, 1988
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I first heard this record at a friends house. I was completely blown away. I went straight to the first record store and bought it. Since then it became my favorite Jazz album of all times, and has put Keith Jarret, in my opinion, on the top of the world's greatest piano players. I've been a fan ever since and bought every single live album he has released. They are all amazing, but there's no love like the first one. No record collection will be complete without it.

7.Nat King Cole - The Ultimate Collection by: Nat 'King' Cole November 08, 1999
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This man speaks love and better than that,sings love like the air he breaths.This particular collection is so breathtaking especially Mona Lisa.It makes one wonder what's happened to all the realy good music these days.Nat was able to turn a simple story into something like a masterpiece and these lyrics will always remain unforgotten and live on forever......

8.Officium from: ECM New Series September 05, 1994
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I can see how sax fans find this album a revelation but it is a stain on the track record of the Hilliard Ensemble. I can see (kinda) what the involved parties tried to do but it still is painful to listing to it and even with a lot of good will this is simply a waste of money and time. To all those admirers of the Hilliard Ensemble: Don't do it to yourself!

9.Sketches of Spain by: Miles Davis October 06, 1997
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I originally bought this album as a boxed set of three LP's, Kind of Blue, Porgy and Bess were the other two. It tends to be loathed by "true believers" largely, I think, because it was one of the most popular. Therefore: it was a sore trial to the sort of deaf elitists that you find at Jazz and Orchestral music events. (People who clap harder as the music gets worse.) It does have it's faults, the over use of castanets, which is like adding atmosphere with ketchup. The gushing orchestration which pervades the collection like cheap perfume in dance-hall. Occasional shrieking trumpet - where MD definitely looses the thread. It's still a great album and well worth a listen. It maybe the weakest of the three albums mentioned. It's still worth five ... Read More:

10.Floating Point by: John McLaughlin June 30, 2008
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This album does take some getting used to. And you do have to take some space from it and go back again with fresh ears before you are able to sort out what's new. The Meeting of the Minds - The Making of Floating Point [2008] DVD, which is awesome, helped clinch the album for me. The first thing you have to deal with is the overwhelming drums and percussion throughout. At first you can't help but think that this is some kind of mistake in the mixing, but persist and you can get used to it. It's a deliberate decision that ensures that the whole album operates at a very high energy level. John's albums have always been about joy and ecstasy and seldom on the mellow side of those values. The album is meant to be rhythmically overwhelming, from start to finish. So dig the drums ... Read More:

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