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General AAS	Guitar	Organ
Piano	Saxophone	Trombone
Trumpet

1.Kind of Blue by: Miles Davis April 07, 1997
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Miles Davis and his band ( and what a band ) explore modes in this record beggining a new era in jazz improvisation previously based in chord changes. That was quite a big step .First , it gave greater freedom.Second, you must knew what to do with the freedom to avoid a musical disaster. The truth is that this is one of this exceptional albums that you can listen to 1000 times and discover new layers and rewarding musical moments. I mean , if you want to understand Jazz after 1950 buy this and if you want to listen to exceptional music buy it too.

2.Somethin' Else: Remastered by: Cannonball Adderley April 05, 1999
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Somethin' Else: Remastered Quite by chance I caught just three or four bars of the theme of "Autumn Leaves" on the radio. It was so obviously Miles, and at his very best. I immediately decided, on the basis of that brief snatch of melody, to try to get the CD. But it was not easy to run it down as, of course, the band was under the (nominal) leadership of Cannonball Adderley. This is a wonderful CD with all players on top form and I heartily endorse what other reviewers have said. It is worth its modest price just for that exposition of the beautiful "Autumn Leaves" theme!

3.Theme Time Radio Hour With Your Host Bob Dylan by: Various Artists February 25, 2008
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Theme Time Radio Hour is one of the most original and enlightening music programmes on the air. It's brilliantly presented by Bob Dylan who plays an eclectic mix of often obscure records all linked by a theme. Dylan's knowledge of American popular music is immense and each programme is peppered with his unique combination of wit and wisdom. So, Ace Records are to be congratulated for issuing this double album containing 50 wonderful tracks of the kind of music to be heard on TTRH. The only thing missing is the man himself but that shouldn't deter anyone from acquiring this marvellous and wide-ranging selection of great music expertly compiled by Ace.

4.Moanin': Remastered by: Art Blakey May 03, 1999
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This is the sort of Jazz you'll hear in (coffee) bars. More emphasis on the (drum) beat than, for instance, in Miles Davis 'Kind of Blue'. Excellent playing, original compositions. Title track is one of the all time classic, instantly recognisable jazz tracks. No freak rythms but big bouncy jazz. Classic album on par with the aforementioned. Better still, less 'cool' and less 'boring'(can one really say this?) than many of Miles late 50's and early 60's stuff. Recommended as an introduction or addition to the uniniated of jazz (like me). Can't be disappointing.

5.Maiden Voyage: Remastered by: Herbie Hancock June 14, 1999
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Like the sea itself, Maiden Voyage is vast and epic- flirting with adventure and myth. It is Herbie Hancock's tour de force- what the wonderous Speak No Evil was to his Blue Note peer, Wayne Shorter- ie. representing the composer/pianist at his imaginitive peak. We can only imagine what kind of zone Freddie Hubbard, George Coleman, Ron Carter and Tony Williams must have been during the recording of this masterpiece- so wonderfully coherent yet brimming with subtle musical conflict. And Hancock's playing is simply majestic. The opening track is stunningly simple- you might feel a little uninspired by the low-key opening, but then, all of a sudden, it all opens out beautifully during the trumpet solo. This short flourish embodies the enitre tone of ... Read More:

6.Speak No Evil: Remastered by: Wayne Shorter May 03, 1999
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This album is proof that the criticisms of Wayne Shorter being just another Rollins-Coltrane imitator were indeed fatuous. Shorter, who has always incorporated a stronger element of the blues to his playing than Coltrane did in the mid-sixties, mixes this with some masterful composition and improvisation. Couple this with some astounding support from the polyrhythmic Elvin Jones, a (sometimes over) brassy and exuberant Freddie Hubbard, with the mercurial Herbie Hancock and journeyman Ron Carter. The compositions themselves are wondrous, opening with "Witch Hunt", an interesting piece with a separate intro that moves straight into the main theme. It is a haunting blues with great solos from Shorter and Hubbard, driven along by Jones' fiery beat. "Fee-Fi-Fo-Fum" ... Read More:

7.Blue Train: Rudy Van Gelder Remaster by: John Coltrane August 18, 2003
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With BLUE TRAIN, John Coltrane not only firmly established his own voice on the tenor saxophone, but also proved his abilities as a bandleader and composer. The musicians on BLUE TRAIN, hand-picked by Coltrane himself, play superbly not only as individuals, which is to be expected of players of such high caliber, but also as a cohesive unit--a rare occurence in an era where "all-star" bands would come together for one session, then disband just as quickly.Coltrane burns through the opening blues, igniting the rhythm section with rapid flurries of notes and reaffirming his absolute mastery of both sound and medium. At this stage of his career, Trane was still occupied with blowing over increasingly challenging chord changes. His ideas flow, flawlessly executed, logically developed ... Read More:

8.Dream Weaver: the Charles Lloyd Anthology - the Atlantic Years 1966-1969 by: Charles Lloyd August 25, 2008
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With BLUE TRAIN, John Coltrane not only firmly established his own voice on the tenor saxophone, but also proved his abilities as a bandleader and composer. The musicians on BLUE TRAIN, hand-picked by Coltrane himself, play superbly not only as individuals, which is to be expected of players of such high caliber, but also as a cohesive unit--a rare occurence in an era where "all-star" bands would come together for one session, then disband just as quickly.Coltrane burns through the opening blues, igniting the rhythm section with rapid flurries of notes and reaffirming his absolute mastery of both sound and medium. At this stage of his career, Trane was still occupied with blowing over increasingly challenging chord changes. His ideas flow, flawlessly executed, logically developed ... Read More:

9.The Sidewinder: Remastered by: Lee Morgan June 14, 1999
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"The Sidewinder," is probably Jazz's,"Smells like Teen Spirit." It's undeniably brilliant but it's been so over-exposed, covered and plagiarised down the years that it's genius is no longer instantly apparent. The extended blues track became something of an anchorism for Blue Note, it's a shame because there is some truly wonderful playing on this track, Morgans's ranging trumpet and another set defining performance by Joe Henderson on sax. I prefer to analyse the title track in conjunction with the other brilliant peices of music on this record. You have the hypnotic "Totem Pole," and it's alternate version which somehow manages to be even better. It merges beautifully into the funky,"Gary's Notebook." Higgin's drumwork constantly helps Morgan and Henderson cut the groove. Another ... Read More:

10.Midnight Blue: Remastered by: Kenny Burrell April 05, 1999
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Hynotic, subtle and the same time wonderfully soulful this record surely sits within the top five of all time Blue Note releases. It's the ultimate late night session. The consistently wonderfully Kenny Burrell who makes the difficult sound effortlessly simple gives a masterclass in Jazz guitar playing with an endlesss tapestry of smooth licks that melt into the instinctive groove of Stanley Turrentine's sax. It's a partnership made in heaven, they work so languidly off each other on, "Mule" The way Burrell brings in the track on,"Soul lament," with his emotive twanging are classic bars of music. I am also particularly fond of the waltz tempo on,"Wavy Gravy." This record is wonderfully focussed, Burrell's musical philosophy is stamped all over the music. The rhythm section do some great ... Read More:

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