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1.Somethin' Else: Remastered by: Cannonball Adderley April 05, 1999
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Somethin' Else: Remastered Quite by chance I caught just three or four bars of the theme of "Autumn Leaves" on the radio. It was so obviously Miles, and at his very best. I immediately decided, on the basis of that brief snatch of melody, to try to get the CD. But it was not easy to run it down as, of course, the band was under the (nominal) leadership of Cannonball Adderley. This is a wonderful CD with all players on top form and I heartily endorse what other reviewers have said. It is worth its modest price just for that exposition of the beautiful "Autumn Leaves" theme!

2.Maiden Voyage: Remastered by: Herbie Hancock June 14, 1999
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Like the sea itself, Maiden Voyage is vast and epic- flirting with adventure and myth. It is Herbie Hancock's tour de force- what the wonderous Speak No Evil was to his Blue Note peer, Wayne Shorter- ie. representing the composer/pianist at his imaginitive peak. We can only imagine what kind of zone Freddie Hubbard, George Coleman, Ron Carter and Tony Williams must have been during the recording of this masterpiece- so wonderfully coherent yet brimming with subtle musical conflict. And Hancock's playing is simply majestic. The opening track is stunningly simple- you might feel a little uninspired by the low-key opening, but then, all of a sudden, it all opens out beautifully during the trumpet solo. This short flourish embodies the ... Read More:

3.Shake Away by: Lila Downs October 06, 2008
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To save space and time I'll say that Juan Mobili's review of this album is spot on, but I have few things to add. Firstly Lila's live show is excellent. The next time she and her fine band la Misteriosa are on tour do whatever you can to go to see them. The band arrangements are very strong too, beautifully mixing elements of many styles and traditions in a way that perfectly complements Lila's singing. My personal favourite on this disc is Ojo de Culebra, her duet with La Mari of the Spanish nuevo flamenco band Chambao.

4.Midnight Blue: Remastered by: Kenny Burrell April 05, 1999
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Hynotic, subtle and the same time wonderfully soulful this record surely sits within the top five of all time Blue Note releases. It's the ultimate late night session. The consistently wonderfully Kenny Burrell who makes the difficult sound effortlessly simple gives a masterclass in Jazz guitar playing with an endlesss tapestry of smooth licks that melt into the instinctive groove of Stanley Turrentine's sax. It's a partnership made in heaven, they work so languidly off each other on, "Mule" The way Burrell brings in the track on,"Soul lament," with his emotive twanging are classic bars of music. I am also particularly fond of the waltz tempo on,"Wavy Gravy." This record is wonderfully focussed, Burrell's musical philosophy is stamped all over the music. ... Read More:

5.Breakfast on the Morning Tram by: Stacey Kent September 10, 2007
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What an extremely disappointing album. I loved here previous albums. Her beautiful voice and her take on some wonderful standards. This albums is full of what I call single notes songs. They are tuneless and without melody. Stacey's voice and the excellent musicianship of her backing group lift it just a little but are wasted on these bland and empty songs. None of them are memorable and even the well known "Hard Hearted Hanna" and "What A Wonderful World" do little to turn this into a CD worth playing again. Please, please Stacey, come back to songs with soul, melody and a tune.

6.The Cole Porter Mix by: Patricia Barber September 29, 2008
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Why not match the songs of Cole Porter with Patricia Barber, one of the most thoughtful and powerful jazz vocalists working today? What a great idea! As a longtime fan of Barber's, I am delighted to see her varying her darker, more experimental work with this album. Her outstanding technical talent and understated delivery work miracles on 'standards' such as 'Miss Otis Regrets' and 'I Get a Kick out of You'. The band are in great shape too. Perfect listening as the nights start to draw in. At least that's my excuse.

7.Not Too Late by: Norah Jones January 29, 2007
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If you love these "black" rhythms (soul, blues, country), you will enjoy this cd; this album is very delightful, sensitive, beautiful, introspective... and personal; you can hear this album in a midnight show, with candle lights, with somebody who's in love with you in a romantic place inside and the effect will be magic... Pure "Plastic Soul, Man" (as Paul McCartney said on "Beatles Anthology 2"), I bought this album and I listened it many times without get bored... It's symply marvelous, a wonderful piece of Norah's work. Enjoy the piano, enjoy the acoustic guitars, enjoy the drums, enjoy Norah's voice...ENJOY ALL!!!

8.Blue Train: Rudy Van Gelder Remaster by: John Coltrane August 18, 2003
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With BLUE TRAIN, John Coltrane not only firmly established his own voice on the tenor saxophone, but also proved his abilities as a bandleader and composer. The musicians on BLUE TRAIN, hand-picked by Coltrane himself, play superbly not only as individuals, which is to be expected of players of such high caliber, but also as a cohesive unit--a rare occurence in an era where "all-star" bands would come together for one session, then disband just as quickly.Coltrane burns through the opening blues, igniting the rhythm section with rapid flurries of notes and reaffirming his absolute mastery of both sound and medium. At this stage of his career, Trane was still occupied with blowing over increasingly challenging chord changes. His ideas flow, flawlessly executed, logically developed ... Read More:

9.Moanin': Remastered by: Art Blakey May 03, 1999
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This is the sort of Jazz you'll hear in (coffee) bars. More emphasis on the (drum) beat than, for instance, in Miles Davis 'Kind of Blue'. Excellent playing, original compositions. Title track is one of the all time classic, instantly recognisable jazz tracks. No freak rythms but big bouncy jazz. Classic album on par with the aforementioned. Better still, less 'cool' and less 'boring'(can one really say this?) than many of Miles late 50's and early 60's stuff. Recommended as an introduction or addition to the uniniated of jazz (like me). Can't be disappointing.

10.Tourist by: St. Germain May 08, 2000
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This is one of those rare albums that ticks a wide range of boxes almost perfectly. It's groovy enough to dance to, varied enough to listen, mellow enough to have on in the background to and detailed enough to withstand repeated listening. I keep coming back to this CD, and 8 years since its release, it still sounds fresh. It has to be in my top 5. Buy it now!

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