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91.Bruch: The Complete Violin Concertos by: Salvatore Accardo Gewandhausorchester Leipzig Kurt Masur
March 16, 1998


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Music : Bruch: The Complete Violin Concertos
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92.Bach - Works for Trumpet by: Alison Balsom
January 09, 2006
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Music : Bach - Works for Trumpet
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Released in January 2006, this is the second CD from Alison Balsom - the third if you include The fam'd Italian master' released on the Hyperion label in 2003, which was music performed by various brass players and The Parley of Instruments group.

The title itself is interesting. It suggests that all the works are written by Bach, but this is only partially true, and none of them were originally scored for the trumpet. In fact, Bach wrote no works specifically for solo trumpet, only pieces such as the Brandenburg Concerto No. 2 can be found as possible examples of Bach's affinity to the instrument. The two pieces not wholly Bach are the concerto in D, written as a violin concerto by Vivaldi, and the concerto in C minor by Marcello. ... Read More:

93.Beethoven: Favourite Piano Sonatas by: Vladimir Ashkenazy
July 07, 1997
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Music : Beethoven: Favourite Piano Sonatas
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The 14th, 'Moonlight', is sublime - the many rubatos and tantalisingly furious passages in the 3rd movement 'Presto Agitato' are just some of the features that makes this CD an unmissable bargain. A top performance from the keyboard master: Vladimir Ashkenazy.

94.SCHUMANN: Piano Works: Wilhelm Kempff by: Wilhelm Kempff
June 25, 2001
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Music : SCHUMANN: Piano Works: Wilhelm Kempff
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The 14th, 'Moonlight', is sublime - the many rubatos and tantalisingly furious passages in the 3rd movement 'Presto Agitato' are just some of the features that makes this CD an unmissable bargain. A top performance from the keyboard master: Vladimir Ashkenazy.

95.Paganini - Caprices from: EMI Classics
February 07, 2000
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Music : Paganini - Caprices
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Everything you need to know about the sounds a violin can make is contained in these 24 caprices.Paganini played the violin so well that people thought he was possessed by the Devil.
But in modern parlance I would say that these pieces are not so much evil as "wicked!" You even get to hear the theme tune to the tv arts programme "The South Bank Show."

96.Bruch - Violin Concerto/Mendelssohn - Violin Concerto from: EMI Classics
November 14, 1988
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Music : Bruch - Violin Concerto/Mendelssohn - Violin Concerto
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Clear? Utmostly classical if not classic violin playing that is so beautiful that it sounds like a visit at the museum, or, and I am afraid it is how I feel about it, like some perfectly sampled, rendered and tempered violin playing produced by a synthesizer. It is difficult to feel any personality in that too "perfect" music, and Bruch is perfect in his own turn to amplify that feeling with his first concerto which was composed following the most surprising method. It was rewritten several times under the solicited and welcome influence of several other people, to make sure in a way it would correspond to the ambient taste more than to the composer's unique feelings. And he must have disliked this opportunistic work enough to have sold it, all rights attached, ... Read More:

97.Rostropovich - Master Cellist from: Universal Classics
March 08, 2002
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Music : Rostropovich - Master Cellist
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This two CD set is worth buying for Rostropovich's interpretation of the Schumann cello concerto alone. The Schumann has been recorded by all the big names and as a result there are many fine versions available. However, none of them compare to this one... duPre has the strengh and power but lacks refinement... Isserlis sacrifices intensity for technical perfection... Yo Yo Ma's interpretation is engaging but hardly heart-rending. Only Rostropovich does the music justice. Here passion, sensitivity and longing are united in the most exquisite cello tone imaginable. More than any other this recording communicates the soul of the cello.
The recording of the Dvorak cello concerto included here is widely regarded as definitive and has yet to be surpassed. It ... Read More:

98.Bach - Complete Flute Sonatas from: EMI Classics
October 06, 2008
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Music : Bach - Complete Flute Sonatas
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This two CD set is worth buying for Rostropovich's interpretation of the Schumann cello concerto alone. The Schumann has been recorded by all the big names and as a result there are many fine versions available. However, none of them compare to this one... duPre has the strengh and power but lacks refinement... Isserlis sacrifices intensity for technical perfection... Yo Yo Ma's interpretation is engaging but hardly heart-rending. Only Rostropovich does the music justice. Here passion, sensitivity and longing are united in the most exquisite cello tone imaginable. More than any other this recording communicates the soul of the cello.
The recording of the Dvorak cello concerto included here is widely regarded as definitive and has yet to be surpassed. It ... Read More:

99.Dvorák: Cello Concerto / Tchaikovsky: Variations on a Rococo Theme by: Mstislav Rostropovich Berliner Philharmoniker Herbert Karajan
April 04, 1995
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Music : Dvorák: Cello Concerto / Tchaikovsky: Variations on a Rococo Theme
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Whoever is going to buy this cd will be certainly satisfied with it. It contains an excellent performance of Dvorak cello concerto. However its status as the "best", definitive performance (if ever these kind of statements can make any sense) of this work is certainly excessive. For instance, Rostropovich with Talich is not as sumptuously played but it is certainly more idiomatic. Personally I prefer it. The famous Casals recording is, as cello playing, unmatchable. The pulse and phrasing of Casals are a class apart even for Rostropovich. Du Pre with Celibidache provides such a moving performance which, for all its smoothnes, richness and fullness of sound, the Rostropovich-Karayan cannot match.

100.Brahms: Violin Concerto by: London Philharmonic Orchestra
October 01, 1999
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Music : Brahms: Violin Concerto
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In a word, this recording is breathtaking. Brahms' genius is superbly displayed in the long first movement, in which he gave himself all the space he needed to develop the theme of the piece to such an extent that the result is a completely fulfilling, emotional and evocative whole. The melody is simple and effective, the orchstration exquisite. The second and inevitably slow second movement, whilst undeniably graceful, fails to measure up to the splendour of the first. It is tranquil, but not especially moody. The final movement of the piece is a lively show-piece for the soloist, and perhaps the sense of festivity rather detracts from the dramatic feeling of the piece thus far. Overall the concerto lacks continuity; the second movement is quite disparate from the first, ... Read More:

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