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131.Hub-Tones: Remastered by: Freddie Hubbard June 07, 1999
Average Rating: >>More Details		List Price: £8.99 Off The Bookshelf's Price: £4.98 You Save: £4.01 (45%) Prices subject to change. Used Price: £3.49
Freddie Hubbbard is in some respects an unsung hero of jazz. He made key contributions to a remarkable number of classic jazz recordings in the early/mid 60s, including several albums with Art Blakey's Jazz Messengers, Ornette Coleman's 'Free Jazz', Eric Dolphy's 'Out To Lunch,' Wayne Shorter's 'Speak No Evil,' and, for me, containing his best work of all, Herbie Hancock's 'Takin Off,' 'Empyrean Isles,' and 'Maiden Voyage.' This, however is one of several albums he recorded as leader, on Blue Note, and is widely regarded as his best. The album begins with a typical Hubbard performance on 'You're My Everything;' his sound is bright with a lovely warm tone and he plays lyrical phrases and fast flowing runs with equal skill. The title ... Read More:

132.No Room for Squares: Remastered by: Hank Mobley October 16, 2000
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This deserves a review. Not as highly rated it seems as Soul Station but to me his best work. Why? - Lee Morgan (top trumpet player on hot form) - Compositions - brilliant, shared by Mobley / Morgan - themes - memorable - solos - consistently on the money - Hill AND Hancock on keys - nice contrast - Philly on sticks - Great funky be-bop and gorgeous Carolyn ballad - CD clocks in at over 50 minutes (including 2 obligatory alternative tracks) - unbelievably cheap (at present moment) Oh, and almost forgot, leader Hank's fantastic tone and groove on tenor. The players all sound like they're enjoying these sessions and the ideas being swapped are truly inspiring. One of my top ten Blue Notes. ... Read More:

133.Lifetime: The Collection by: Tony Williams' Lifetime February 01, 2008
Average Rating: >>More Details		Off The Bookshelf's Price: £10.49 Prices subject to change. Used Price: £4.34
This deserves a review. Not as highly rated it seems as Soul Station but to me his best work. Why? - Lee Morgan (top trumpet player on hot form) - Compositions - brilliant, shared by Mobley / Morgan - themes - memorable - solos - consistently on the money - Hill AND Hancock on keys - nice contrast - Philly on sticks - Great funky be-bop and gorgeous Carolyn ballad - CD clocks in at over 50 minutes (including 2 obligatory alternative tracks) - unbelievably cheap (at present moment) Oh, and almost forgot, leader Hank's fantastic tone and groove on tenor. The players all sound like they're enjoying these sessions and the ideas being swapped are truly inspiring. One of my top ten Blue Notes. ... Read More:

134.Clifford Brown And Max Roach by: Max Roach Clifford Brown March 13, 2000
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this is my favourite of all Clifford Brown's albums - as always his sound has soul, style, grace, and depth, and so do the compositions love every track on here... great way to spend a morning with a coffee this and some of mother nature's finest

135.Live in Japan by: John Coltrane
Average Rating: >>More Details		Used Price: £20.73
this is my favourite of all Clifford Brown's albums - as always his sound has soul, style, grace, and depth, and so do the compositions love every track on here... great way to spend a morning with a coffee this and some of mother nature's finest

136.Quiet After the Storm by: Dianne Reeves May 01, 1995
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Dianne Reeves interpretes every song with a passion that is not common. Her rendering of 'In a sentimental mood' is worth the whole album, which goes on with more surprises at any track.

137.Spoiler by: Stanley Turrentine July 22, 2002
Average Rating: >>More Details		Used Price: £4.00
Dianne Reeves interpretes every song with a passion that is not common. Her rendering of 'In a sentimental mood' is worth the whole album, which goes on with more surprises at any track.

138.Cookin' With The Miles Davis Quintet [Rudy Van Gelder Remasters] by: Miles Davis Quintet February 19, 2007
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1956 was a good year for Miles Davis. In two days in the studio he fulfilled the requirements of his contract with Prestige, and produced four brilliant albums to boot. The band - the first "great quintet" of Davis, Coltrane, Garland, Jones and Chambers - was playing supremely well, and the material was an exciting mix of perfectly-delivered standards and newer jazz compositions. It would be wrong to argue that any one of the four albums recorded in 1956 (the others are Relaxin', Workin' and Steamin' all "with the Miles Davis Quintet") is better than the others, as each demonstrates moments of inspired genius in different ways, but this is for me one to which I turn more frequently than the others. There is one obvious reason for this, ... Read More:

139.Soul Zodiac by: Cannonball Adderley And The Nat Adderley Sextet May 26, 2008
Average Rating: >>More Details		List Price: £7.99 Off The Bookshelf's Price: £6.99 You Save: £1.00 (13%) Prices subject to change. Used Price: £9.56
1956 was a good year for Miles Davis. In two days in the studio he fulfilled the requirements of his contract with Prestige, and produced four brilliant albums to boot. The band - the first "great quintet" of Davis, Coltrane, Garland, Jones and Chambers - was playing supremely well, and the material was an exciting mix of perfectly-delivered standards and newer jazz compositions. It would be wrong to argue that any one of the four albums recorded in 1956 (the others are Relaxin', Workin' and Steamin' all "with the Miles Davis Quintet") is better than the others, as each demonstrates moments of inspired genius in different ways, but this is for me one to which I turn more frequently than the others. There is one obvious reason for this, ... Read More:

140.Verve/Unmixed 3 by: Various Artists June 06, 2005
Average Rating: >>More Details		List Price: £9.99 Off The Bookshelf's Price: £7.98 You Save: £2.01 (20%) Prices subject to change. Used Price: £2.42
1956 was a good year for Miles Davis. In two days in the studio he fulfilled the requirements of his contract with Prestige, and produced four brilliant albums to boot. The band - the first "great quintet" of Davis, Coltrane, Garland, Jones and Chambers - was playing supremely well, and the material was an exciting mix of perfectly-delivered standards and newer jazz compositions. It would be wrong to argue that any one of the four albums recorded in 1956 (the others are Relaxin', Workin' and Steamin' all "with the Miles Davis Quintet") is better than the others, as each demonstrates moments of inspired genius in different ways, but this is for me one to which I turn more frequently than the others. There is one obvious reason for this, ... Read More:

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