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11.Blue Train: Rudy Van Gelder Remaster by: John Coltrane August 18, 2003
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With BLUE TRAIN, John Coltrane not only firmly established his own voice on the tenor saxophone, but also proved his abilities as a bandleader and composer. The musicians on BLUE TRAIN, hand-picked by Coltrane himself, play superbly not only as individuals, which is to be expected of players of such high caliber, but also as a cohesive unit--a rare occurence in an era where "all-star" bands would come together for one session, then disband just as quickly.Coltrane burns through the opening blues, igniting the rhythm section with rapid flurries of notes and reaffirming his absolute mastery of both sound and medium. At this stage of his career, Trane was still occupied with blowing over increasingly challenging chord changes. His ideas flow, flawlessly ... Read More:

12.Moanin': Remastered by: Art Blakey May 03, 1999
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This is the sort of Jazz you'll hear in (coffee) bars. More emphasis on the (drum) beat than, for instance, in Miles Davis 'Kind of Blue'. Excellent playing, original compositions. Title track is one of the all time classic, instantly recognisable jazz tracks. No freak rythms but big bouncy jazz. Classic album on par with the aforementioned. Better still, less 'cool' and less 'boring'(can one really say this?) than many of Miles late 50's and early 60's stuff. Recommended as an introduction or addition to the uniniated of jazz (like me). Can't be disappointing.

13.The Black Saint And The Sinner Lady by: Charles Mingus March 20, 1999
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Forgive the tital, but how exactly do I define an album such as this, or indeed an artist like Mingus? This is the most undoubted five-star I have ever given, because, unlike most art, which either seems clear and gives you a good impression, or seems clear but gives you a banal impression, this does not seem clear ( in any of the multiple meanings of the term) , but gives you a transcendentally impressed feeling afterwards. Certainly, it does seem quite gloomy. The title makes me think of some sort of lost scripture, with depressing implications for the fate of mankind, and the music is a series of movements circulating around the theme of damnation and torture in chains. The sounds which emerge: thundering, percussive drums, screaming brass, ... Read More:

14.Out to Lunch by: Eric Dolphy May 03, 1999
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Make sure you do some reading up on Eric Dolphy before you buy this. Don't expect to hear anything resembling the winning Blue Note hard bop formula characteristic of the fifities and sixties. As far as Jazz goes this is way ahead of it's time, those who know the contemporary Jazz scene will know that there are plenty of acts out there who try and sound exactly like what you hear on this record. OK, it's not easy listening. For me Dolphy's compositions are no way near as compelling as some of Ornette Colman's for example. It's quirky, mysterious, it has you scratching your chin trying to figure it all out. "Gazzelloni," starts off as very accessible before disappearing into some great flute loops. Add to that William's nuerotic sounding drums and it makes ... Read More:

15.Speak No Evil: Remastered by: Wayne Shorter May 03, 1999
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This album is proof that the criticisms of Wayne Shorter being just another Rollins-Coltrane imitator were indeed fatuous. Shorter, who has always incorporated a stronger element of the blues to his playing than Coltrane did in the mid-sixties, mixes this with some masterful composition and improvisation. Couple this with some astounding support from the polyrhythmic Elvin Jones, a (sometimes over) brassy and exuberant Freddie Hubbard, with the mercurial Herbie Hancock and journeyman Ron Carter. The compositions themselves are wondrous, opening with "Witch Hunt", an interesting piece with a separate intro that moves straight into the main theme. It is a haunting blues with great solos from Shorter and Hubbard, driven along by Jones' fiery beat. "Fee-Fi-Fo-Fum" is ... Read More:

16.Kind of Blue [VINYL] by: Miles Davis October 29, 2007
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There are endless superlatives that have beew thrown at this classic jazz album, but I am more interested in making people aware that this sounds much better on vinyl than on CD (if using a top quality turntable). The dynamic sound quality is just so much better and its crystal clear and the vinyl version adds something very special. If you like this album and have a turntable, then I thoroughly recommend you to purchase the vinyl format, especially due to its really bargain price!

17.Our Man in Paris: Rudy Van Gelder Remaster by: Dexter Gordon August 04, 2003
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This 1963 album finds Dexter Gordon in sparkling form. He is backed by Bud Powell on Piano, Pierre Michelot bass and Kenny Clarke drums. Its one of the best sessions Gordon ever recorded and is an essential purchase for any Jazz fan. Dexter Gordon is in fine form throughout the album. Just take the opening Charlie Parker classic 'Scrapple from the Apple'. The theme is stated and Gordon takes the first solo. Three and a half minutes later he finishes. Theres no apparent repetition here, or use of a stock of standard riffs that you might hear with a lesser musician. Throughout this solo he is inventive using the full range of the Saxophones marvellous palette. The other stand-out track on here for me is his version of 'A Night in Tunisia'. Whether he's throwing in a quote from ... Read More:

18.A Love Supreme by: John Coltrane November 07, 2005
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OK, it's 1964, and Bebop has come a long way. We are six years after Coltrane recorded Kind of Blue with Miles, and it would be another five years before Miles records the next milestone: In A Silent Way. Tunes seem to be getting longer and longer...and with A Love Supreme John Coltrane finally produces a recording that gives himself free rein to really explore the furthest recesses from seed ideas, and just go with them. This is a very spiritual album, there seem to be no constraints. Most of the four tunes begin with a basic theme, which is quickly jettisoned as Coltrane's creative juices start to flow. There are some astounding sections on this CD, the musicians almost seem to be jostling for position at the mic, and yet they meld organically together. There are calm, meditative ... Read More:

19.Go: Remastered by: Dexter Gordon May 03, 1999
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This is a cracking album and I totally agree with the other reviewer as this is a disc that is frequently in my CD player. Although my preference would be for the other Blue Note recorded in Paris with Kenny Clarke and Bud Powell, this is a hugely enjoyable set, Dexter playing with his customary wry sense of humour and backed by a hard-hitting rythmn section. Like many other discs of the era on the Blue Note label, the recording quality is good and the standard of material is very high. No duff tracks on this one. Dexter's style of playing with his huge, impressive tone was unique - owing something to the more Romantic players of the generation of Coleman Hawkins but taking on the harmonies and rythmns of Be-bop. This is a good introduction to one of the kings of the tenor including ... Read More:

20.The Essential Herbie Hancock by: Herbie Hancock June 26, 2006
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This is a cracking album and I totally agree with the other reviewer as this is a disc that is frequently in my CD player. Although my preference would be for the other Blue Note recorded in Paris with Kenny Clarke and Bud Powell, this is a hugely enjoyable set, Dexter playing with his customary wry sense of humour and backed by a hard-hitting rythmn section. Like many other discs of the era on the Blue Note label, the recording quality is good and the standard of material is very high. No duff tracks on this one. Dexter's style of playing with his huge, impressive tone was unique - owing something to the more Romantic players of the generation of Coleman Hawkins but taking on the harmonies and rythmns of Be-bop. This is a good introduction to one of the kings of the tenor including ... Read More:

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