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Search: Allegro Moderato

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1.Haydn: Missa in Angustiis 'Nelson Mass'; Te Deum /Pinnock by: The English Concert Trevor Pinnock Felicity Lott Carolyn Watkinson Maldwyn Davies David Wilson-Johnson The English Concert Choir Nicholas Parle
December 02, 1987
Average Rating:  out of 5 stars

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This was my first recording of the Nelson Mass, and it has a peculiarly English grace to it, typical of Trevor Pinnock. I love it absolutely, and even now I am still torn between this and the new Sir John Eliot Gardiner recording. As lovely as Richard Hickox's version is, it lacks that male-alto tone to bring through that particular line, most obvious at the third part of the Creed with their top D 'NON!' - a very favourite moment.

Pinnock's recording is full of class, grace, excitement and is beautifully performed. The production quality again is excellent as one would expect from Archiv.

2.Prokofiev: Peter and the Wolf from: Deutsche Grammophon
November 23, 1993
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While preparing for 'Peter and the Wolf' Sting listened to some earlier recordings and monitored the reactions of his own children to the different interpretations. He decided to record a version in which the only character who speaks with his (Sting's) natural voice is Peter. Claudio Abbado helped him to create the other accents. The resulting narration is enthusiastic and charasmatic but never too contrived.
The extras on the disc are a real joy too. The delightful little upbeat march in B flat major (op.99) is for me two and a half minutes of pure bliss. The 'Overture on Hebrew Themes' is a beautiful reading and the 'Classical Symphony' is the best reading I've ever heard. I would purchase this disc for this performance of the Classical ... Read More:

3.Haydn: Sahron Quartet from: Discover
November 18, 1997
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While preparing for 'Peter and the Wolf' Sting listened to some earlier recordings and monitored the reactions of his own children to the different interpretations. He decided to record a version in which the only character who speaks with his (Sting's) natural voice is Peter. Claudio Abbado helped him to create the other accents. The resulting narration is enthusiastic and charasmatic but never too contrived.
The extras on the disc are a real joy too. The delightful little upbeat march in B flat major (op.99) is for me two and a half minutes of pure bliss. The 'Overture on Hebrew Themes' is a beautiful reading and the 'Classical Symphony' is the best reading I've ever heard. I would purchase this disc for this performance of the Classical ... Read More:

4.The Piano Music (Kovach) by: Henry Holden Huss
January 17, 2000
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While preparing for 'Peter and the Wolf' Sting listened to some earlier recordings and monitored the reactions of his own children to the different interpretations. He decided to record a version in which the only character who speaks with his (Sting's) natural voice is Peter. Claudio Abbado helped him to create the other accents. The resulting narration is enthusiastic and charasmatic but never too contrived.
The extras on the disc are a real joy too. The delightful little upbeat march in B flat major (op.99) is for me two and a half minutes of pure bliss. The 'Overture on Hebrew Themes' is a beautiful reading and the 'Classical Symphony' is the best reading I've ever heard. I would purchase this disc for this performance of the Classical ... Read More:

5.Encores for Two Pianos from: Berlin Classics
July 26, 1995
Average Rating:  out of 5 stars

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Search : Encores for Two Pianos
While preparing for 'Peter and the Wolf' Sting listened to some earlier recordings and monitored the reactions of his own children to the different interpretations. He decided to record a version in which the only character who speaks with his (Sting's) natural voice is Peter. Claudio Abbado helped him to create the other accents. The resulting narration is enthusiastic and charasmatic but never too contrived.
The extras on the disc are a real joy too. The delightful little upbeat march in B flat major (op.99) is for me two and a half minutes of pure bliss. The 'Overture on Hebrew Themes' is a beautiful reading and the 'Classical Symphony' is the best reading I've ever heard. I would purchase this disc for this performance of the Classical ... Read More:

6.Romantic Guitar Quartets from: Saydisc
October 01, 1999
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While preparing for 'Peter and the Wolf' Sting listened to some earlier recordings and monitored the reactions of his own children to the different interpretations. He decided to record a version in which the only character who speaks with his (Sting's) natural voice is Peter. Claudio Abbado helped him to create the other accents. The resulting narration is enthusiastic and charasmatic but never too contrived.
The extras on the disc are a real joy too. The delightful little upbeat march in B flat major (op.99) is for me two and a half minutes of pure bliss. The 'Overture on Hebrew Themes' is a beautiful reading and the 'Classical Symphony' is the best reading I've ever heard. I would purchase this disc for this performance of the Classical ... Read More:

7.The Art of the Piano, Volume 1 from: A Classical Record
June 01, 1996
Average Rating:  out of 5 stars

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Search : The Art of the Piano, Volume 1
While preparing for 'Peter and the Wolf' Sting listened to some earlier recordings and monitored the reactions of his own children to the different interpretations. He decided to record a version in which the only character who speaks with his (Sting's) natural voice is Peter. Claudio Abbado helped him to create the other accents. The resulting narration is enthusiastic and charasmatic but never too contrived.
The extras on the disc are a real joy too. The delightful little upbeat march in B flat major (op.99) is for me two and a half minutes of pure bliss. The 'Overture on Hebrew Themes' is a beautiful reading and the 'Classical Symphony' is the best reading I've ever heard. I would purchase this disc for this performance of the Classical ... Read More:

8.The Art of Piano, Vol.1 from: A Classical Record
January 01, 1995
Average Rating:  out of 5 stars

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Search : The Art of Piano, Vol.1
While preparing for 'Peter and the Wolf' Sting listened to some earlier recordings and monitored the reactions of his own children to the different interpretations. He decided to record a version in which the only character who speaks with his (Sting's) natural voice is Peter. Claudio Abbado helped him to create the other accents. The resulting narration is enthusiastic and charasmatic but never too contrived.
The extras on the disc are a real joy too. The delightful little upbeat march in B flat major (op.99) is for me two and a half minutes of pure bliss. The 'Overture on Hebrew Themes' is a beautiful reading and the 'Classical Symphony' is the best reading I've ever heard. I would purchase this disc for this performance of the Classical ... Read More:

9.Greatest Hits from: Deutsche Grammophon
May 11, 1993
Average Rating:  out of 5 stars

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Search : Greatest Hits
Off The Bookshelf's Price: £16.49
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While preparing for 'Peter and the Wolf' Sting listened to some earlier recordings and monitored the reactions of his own children to the different interpretations. He decided to record a version in which the only character who speaks with his (Sting's) natural voice is Peter. Claudio Abbado helped him to create the other accents. The resulting narration is enthusiastic and charasmatic but never too contrived.
The extras on the disc are a real joy too. The delightful little upbeat march in B flat major (op.99) is for me two and a half minutes of pure bliss. The 'Overture on Hebrew Themes' is a beautiful reading and the 'Classical Symphony' is the best reading I've ever heard. I would purchase this disc for this performance of the Classical ... Read More:

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