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1.Bach, J.S.: Art of Fugue by: Pierre-Laurent Aimard
January 21, 2008
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Those who think of Pierre-Laurent Aimard primarily as the superb interpreter of Messaien or Carter only, will be pleasantly surprised hearing his Deutsche Grammophon recording. Those of us alreadly familiar with his splendid Beethoven, Mozart and Schumann recordings for Warner Classics will not be surprised with his debut recording for Deutsche Grammophon, an utterly sublime, truly revelatory account of J. S. Bach's "Art of the Fugue". Why? In one aspect Aimard is the best current student of contemporary polyphonic music for the keyboard, and he uses that knowledge to great advantage in these performances, showing utmost respect for Bach's intentions, without trying to insert his contemporary music-informed style of performance (I strongly disagree ... Read More:

2.Bach: The Art of Fugue /Moroney from: Bach 2000 Edition
September 01, 1999
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Who coined this phrase in relation to Bach I have long forgotten, and I have no idea whether it conveyed the same meaning to whoever it was as it does to me. Bach has a human face, he has a superhuman face, and he has a face that is inhuman but not inhumane, to borrow a memorable description I have seen applied to Stapledon. This last is the face he presents to us in The Art of Fugue. It is nothing new from him. Many of the fugues from the 48 and the pieces comprising The Musical Offering are in this category too, but The Art of Fugue is unique in the single-mindedness and severity of its presentation. It seems to me futile to look for expression in any ordinary sense in these wonderful musical theorems. They are sublime much as pure mathematics is ... Read More:

3.Canoni Oblighi E Sonate by: Buono G P Del
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Search : Canoni Oblighi E Sonate
Who coined this phrase in relation to Bach I have long forgotten, and I have no idea whether it conveyed the same meaning to whoever it was as it does to me. Bach has a human face, he has a superhuman face, and he has a face that is inhuman but not inhumane, to borrow a memorable description I have seen applied to Stapledon. This last is the face he presents to us in The Art of Fugue. It is nothing new from him. Many of the fugues from the 48 and the pieces comprising The Musical Offering are in this category too, but The Art of Fugue is unique in the single-mindedness and severity of its presentation. It seems to me futile to look for expression in any ordinary sense in these wonderful musical theorems. They are sublime much as pure mathematics is ... Read More:

4.Buono: Canoni, Oblighi E Sonate from: Panton
March 11, 1997
Average Rating:  out of 5 stars

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Search : Buono: Canoni, Oblighi E Sonate
Who coined this phrase in relation to Bach I have long forgotten, and I have no idea whether it conveyed the same meaning to whoever it was as it does to me. Bach has a human face, he has a superhuman face, and he has a face that is inhuman but not inhumane, to borrow a memorable description I have seen applied to Stapledon. This last is the face he presents to us in The Art of Fugue. It is nothing new from him. Many of the fugues from the 48 and the pieces comprising The Musical Offering are in this category too, but The Art of Fugue is unique in the single-mindedness and severity of its presentation. It seems to me futile to look for expression in any ordinary sense in these wonderful musical theorems. They are sublime much as pure mathematics is ... Read More:

5.Rossini: Semiramide from: Fonit Cetra
October 01, 1996
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Search : Rossini: Semiramide
Who coined this phrase in relation to Bach I have long forgotten, and I have no idea whether it conveyed the same meaning to whoever it was as it does to me. Bach has a human face, he has a superhuman face, and he has a face that is inhuman but not inhumane, to borrow a memorable description I have seen applied to Stapledon. This last is the face he presents to us in The Art of Fugue. It is nothing new from him. Many of the fugues from the 48 and the pieces comprising The Musical Offering are in this category too, but The Art of Fugue is unique in the single-mindedness and severity of its presentation. It seems to me futile to look for expression in any ordinary sense in these wonderful musical theorems. They are sublime much as pure mathematics is ... Read More:

6.Donizetti - Gianni di Parigi by: Gaetano Donizetti
August 08, 2004
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Search : Donizetti - Gianni di Parigi
Who coined this phrase in relation to Bach I have long forgotten, and I have no idea whether it conveyed the same meaning to whoever it was as it does to me. Bach has a human face, he has a superhuman face, and he has a face that is inhuman but not inhumane, to borrow a memorable description I have seen applied to Stapledon. This last is the face he presents to us in The Art of Fugue. It is nothing new from him. Many of the fugues from the 48 and the pieces comprising The Musical Offering are in this category too, but The Art of Fugue is unique in the single-mindedness and severity of its presentation. It seems to me futile to look for expression in any ordinary sense in these wonderful musical theorems. They are sublime much as pure mathematics is ... Read More:

7.Gianni di Parigi from: Nuova Era
January 31, 1995
Average Rating:  out of 5 stars

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Search : Gianni di Parigi
Who coined this phrase in relation to Bach I have long forgotten, and I have no idea whether it conveyed the same meaning to whoever it was as it does to me. Bach has a human face, he has a superhuman face, and he has a face that is inhuman but not inhumane, to borrow a memorable description I have seen applied to Stapledon. This last is the face he presents to us in The Art of Fugue. It is nothing new from him. Many of the fugues from the 48 and the pieces comprising The Musical Offering are in this category too, but The Art of Fugue is unique in the single-mindedness and severity of its presentation. It seems to me futile to look for expression in any ordinary sense in these wonderful musical theorems. They are sublime much as pure mathematics is ... Read More:

8.Sonatas Concerti & Arias by: Uccellini, Concerto Vago
December 12, 1995
Average Rating:  out of 5 stars

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Search : Sonatas Concerti & Arias
Who coined this phrase in relation to Bach I have long forgotten, and I have no idea whether it conveyed the same meaning to whoever it was as it does to me. Bach has a human face, he has a superhuman face, and he has a face that is inhuman but not inhumane, to borrow a memorable description I have seen applied to Stapledon. This last is the face he presents to us in The Art of Fugue. It is nothing new from him. Many of the fugues from the 48 and the pieces comprising The Musical Offering are in this category too, but The Art of Fugue is unique in the single-mindedness and severity of its presentation. It seems to me futile to look for expression in any ordinary sense in these wonderful musical theorems. They are sublime much as pure mathematics is ... Read More:

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