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1.Donizetti: Anna Bolena from: Grand Opera November 01, 1997
Average Rating: >>More Details
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

2.Together - Classic Duets & Collaborations by: Various Artists February 25, 2002
Average Rating: >>More Details		Used Price: £34.18
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

3.For You by: Various Artists March 20, 2000
Average Rating: >>More Details		Used Price: £0.37
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

4.The Six Sopranos by: Various Artists January 29, 2003
Average Rating: >>More Details		Used Price: £20.60
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

5.Buoni O Cattvi by: Vasco Rossi
Average Rating: >>More Details		Used Price: £6.77
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

6.More Than 50 Most Loved Hymns by: Various
Average Rating: >>More Details		Off The Bookshelf's Price: £17.99 Prices subject to change. Used Price: £6.50
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

7.Echoes of Christmas by: Christi & Holli Banks February 10, 1994
Average Rating: >>More Details		Used Price: £14.51
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

8.Pinareno: Music from Pinar del Rio by: Various Artists March 08, 1994
Average Rating: >>More Details		Used Price: £23.25
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

9.From the Tobacco Road of Cuba by: Various Artists November 03, 1998
Average Rating: >>More Details		Used Price: £8.21
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

10.Power of Love by: Shirley Bassey September 04, 2006
Average Rating: >>More Details		Off The Bookshelf's Price: £11.99 Prices subject to change. Used Price:
Opera people seem fiercely divided about the Decca Anna Bolena with Elena Suliotis, first published in 1970. Half think it is brilliant, and Suliotis' faults are worth putting up with because when she is good, she is very good, and the rest of the cast is unmatched; the other half think the recording is an abomination. I belong to the former group. The Anna Bolena is probably Suliotis' least satisfactory recording; the tone is too lean for most of the time and lacking in colour (especially in the opening scene), the technique rather precarious. Yet I don't agree that it is a truly bad recording; her Bolena certainly has virtues, and the dry acoustics are at least partly to blame for the emaciated sound (Horne sounds unusually dry too, her top ... Read More:

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