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1.Hand - Saul by: Concerto Koln, Rene Jacobs September 05, 2005
Average Rating: >>More Details		List Price: £25.99 Off The Bookshelf's Price: £21.99 You Save: £4.00 (15%) Prices subject to change. Used Price: £14.99
I'm not really a huge Jacobs fan, really disliking his Mozart, but this is a really pleasant surprise. Its one of the best sung Saul's I've heard, with good, clear diction and a sense of drama from all participants. You expect the male protagonists to be good, but special mention must be made of soprano Emma Bell, who is ravishing. Jacobs doesnt strive for effect as he has done elsewhere, and that is to the advantage of the performance. Sound is fine, - not DSD fine and not exceptional but certainly very clean and open with a good sense of space. recommended. The sound

2.Handel - Saul by: Rosemary Joshua, Rene Jacobs, Concerto KÃ¶ln, RIAS Kammerchor September 05, 2005
Average Rating: >>More Details		List Price: £23.99 Off The Bookshelf's Price: £19.99 You Save: £4.00 (17%) Prices subject to change. Used Price: £29.62
I'm not really a huge Jacobs fan, really disliking his Mozart, but this is a really pleasant surprise. Its one of the best sung Saul's I've heard, with good, clear diction and a sense of drama from all participants. You expect the male protagonists to be good, but special mention must be made of soprano Emma Bell, who is ravishing. Jacobs doesnt strive for effect as he has done elsewhere, and that is to the advantage of the performance. Sound is fine, - not DSD fine and not exceptional but certainly very clean and open with a good sense of space. recommended. The sound

3.Handel: Saul by: Lynne Dawson Donna Brown Derek Lee Ragin John Mark Ainsley Neil Mackie Alastair Miles The Monteverdi Choir English Baroque Soloists John Eliot Gardiner March 19, 2007
Average Rating: >>More Details		List Price: £29.99 Off The Bookshelf's Price: £25.99 You Save: £4.00 (13%) Prices subject to change. Used Price: £11.85
I'm not really a huge Jacobs fan, really disliking his Mozart, but this is a really pleasant surprise. Its one of the best sung Saul's I've heard, with good, clear diction and a sense of drama from all participants. You expect the male protagonists to be good, but special mention must be made of soprano Emma Bell, who is ravishing. Jacobs doesnt strive for effect as he has done elsewhere, and that is to the advantage of the performance. Sound is fine, - not DSD fine and not exceptional but certainly very clean and open with a good sense of space. recommended. The sound

4.Handel: Oratorios by: John Eliot Gardiner September 19, 2005
Average Rating: >>More Details		List Price: £45.99 Off The Bookshelf's Price: £31.97 You Save: £14.02 (30%) Prices subject to change. Used Price: £24.99
I'm not really a huge Jacobs fan, really disliking his Mozart, but this is a really pleasant surprise. Its one of the best sung Saul's I've heard, with good, clear diction and a sense of drama from all participants. You expect the male protagonists to be good, but special mention must be made of soprano Emma Bell, who is ravishing. Jacobs doesnt strive for effect as he has done elsewhere, and that is to the advantage of the performance. Sound is fine, - not DSD fine and not exceptional but certainly very clean and open with a good sense of space. recommended. The sound

5.Handel: Saul /Scholl · Davies · Gritton · Argenta · Padmore · Gabrieli Consort & Players · McCreesh by: Gabrieli Consort Gabrieli Players Paul McCreesh March 08, 2004
Average Rating: >>More Details		List Price: £37.99 Off The Bookshelf's Price: £23.98 You Save: £14.01 (37%) Prices subject to change. Used Price: £29.94
From the very start you know you are entering a masterpiece performed by one of the greatest living conductors. First the use of instruments. Each one has a particular part to play and, even in the most unified tuttis of the orchestra, each instrument plays its role and can be followed faithfully without getting lost in some kind of blended melting pot. This is admirable from the opening notes right on till the end. Then Handel uses voices in a very creative way too. David is an alto, which is normal in the 18th century since he is the hero and no one is going to cast a shadow on him. The alliance of this alto with the tenor Jonathan or the soprano Michal, or even the antagonistic soprano Merab, leads to giving each voice a real dramatic depth. ... Read More:

6.Top of the Pops Volume 17 by: Various Artists June 09, 2003
Average Rating: >>More Details		List Price: £4.99 Off The Bookshelf's Price: £1.98 You Save: £3.01 (60%) Prices subject to change. Used Price: £7.65
From the very start you know you are entering a masterpiece performed by one of the greatest living conductors. First the use of instruments. Each one has a particular part to play and, even in the most unified tuttis of the orchestra, each instrument plays its role and can be followed faithfully without getting lost in some kind of blended melting pot. This is admirable from the opening notes right on till the end. Then Handel uses voices in a very creative way too. David is an alto, which is normal in the 18th century since he is the hero and no one is going to cast a shadow on him. The alliance of this alto with the tenor Jonathan or the soprano Michal, or even the antagonistic soprano Merab, leads to giving each voice a real dramatic depth. ... Read More:

7.Essential Collection by: Neil Diamond May 03, 2005
Average Rating: >>More Details		Used Price: £41.84
From the very start you know you are entering a masterpiece performed by one of the greatest living conductors. First the use of instruments. Each one has a particular part to play and, even in the most unified tuttis of the orchestra, each instrument plays its role and can be followed faithfully without getting lost in some kind of blended melting pot. This is admirable from the opening notes right on till the end. Then Handel uses voices in a very creative way too. David is an alto, which is normal in the 18th century since he is the hero and no one is going to cast a shadow on him. The alliance of this alto with the tenor Jonathan or the soprano Michal, or even the antagonistic soprano Merab, leads to giving each voice a real dramatic depth. ... Read More:

8.Tribute to Neil Diamond by: Stars at Studio '99 March 10, 2005
Average Rating: >>More Details		Used Price: £2.95
From the very start you know you are entering a masterpiece performed by one of the greatest living conductors. First the use of instruments. Each one has a particular part to play and, even in the most unified tuttis of the orchestra, each instrument plays its role and can be followed faithfully without getting lost in some kind of blended melting pot. This is admirable from the opening notes right on till the end. Then Handel uses voices in a very creative way too. David is an alto, which is normal in the 18th century since he is the hero and no one is going to cast a shadow on him. The alliance of this alto with the tenor Jonathan or the soprano Michal, or even the antagonistic soprano Merab, leads to giving each voice a real dramatic depth. ... Read More:

9.Music from Across the Way by: James Last May 23, 2005
Average Rating: >>More Details		List Price: £11.99 Off The Bookshelf's Price: £9.99 You Save: £2.00 (17%) Prices subject to change. Used Price: £6.83
From the very start you know you are entering a masterpiece performed by one of the greatest living conductors. First the use of instruments. Each one has a particular part to play and, even in the most unified tuttis of the orchestra, each instrument plays its role and can be followed faithfully without getting lost in some kind of blended melting pot. This is admirable from the opening notes right on till the end. Then Handel uses voices in a very creative way too. David is an alto, which is normal in the 18th century since he is the hero and no one is going to cast a shadow on him. The alliance of this alto with the tenor Jonathan or the soprano Michal, or even the antagonistic soprano Merab, leads to giving each voice a real dramatic depth. ... Read More:

10.Tribute to Neil Diamond by: Stars at Studio '99 December 12, 2007
Average Rating: >>More Details		Used Price: £24.56
From the very start you know you are entering a masterpiece performed by one of the greatest living conductors. First the use of instruments. Each one has a particular part to play and, even in the most unified tuttis of the orchestra, each instrument plays its role and can be followed faithfully without getting lost in some kind of blended melting pot. This is admirable from the opening notes right on till the end. Then Handel uses voices in a very creative way too. David is an alto, which is normal in the 18th century since he is the hero and no one is going to cast a shadow on him. The alliance of this alto with the tenor Jonathan or the soprano Michal, or even the antagonistic soprano Merab, leads to giving each voice a real dramatic depth. ... Read More:

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