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Search: Poverty

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2.Addicted to Bad Ideas by: World/Inferno Friendship Society
September 10, 2007
Average Rating:  out of 5 stars

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List Price: £11.99
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Imagine a Weimar-era klezmer band that has decidedly, totally out of the blue, to play cabaret punk... on Halloween.

Oh yeah, that's the general sound of World Inferno Friendship Society's latest -- gloriously crazy, catchy and based on the movies of the master of creepiness, Peter Lorre. "Addicted to Bad Ideas" starts off a little limply, but quickly gets into its bouncy cabaret-punk groove.

It starts off with the "Peter Lorre Overture," a stately smooth waltz of plucking strings, twittering clarinet, and rumbling cello. It's a nice little song, but somehow it just isn't a very enticing introduction.

That is left to the second song, a dramatic sweep of piano and jagged riffs, with Jack Terricloth singing ... Read More:

3.Shostakovich: Songs & Operas by: Various Artists
May 15, 2006
Average Rating:  out of 5 stars

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Search : Shostakovich: Songs & Operas
List Price: £22.99
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Used Price: £25.99

Imagine a Weimar-era klezmer band that has decidedly, totally out of the blue, to play cabaret punk... on Halloween.

Oh yeah, that's the general sound of World Inferno Friendship Society's latest -- gloriously crazy, catchy and based on the movies of the master of creepiness, Peter Lorre. "Addicted to Bad Ideas" starts off a little limply, but quickly gets into its bouncy cabaret-punk groove.

It starts off with the "Peter Lorre Overture," a stately smooth waltz of plucking strings, twittering clarinet, and rumbling cello. It's a nice little song, but somehow it just isn't a very enticing introduction.

That is left to the second song, a dramatic sweep of piano and jagged riffs, with Jack Terricloth singing ... Read More:

4.Shostakovich: Symphony No.15 from: Decca
August 09, 1993
Average Rating:  out of 5 stars

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Search : Shostakovich: Symphony No.15
List Price: £9.99
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You don't go to Haitink for extremes or quirkiness, so it may seem odd to recommend his recording of a work which some other conductors play as if it was the epitome of irony and quirkiness. But, just as his Mahler 6th of the early sixties offered a truly symphonic and comprehensible picture of that dark and tragic work, so this Shostakovich 15th brings us profundity mixed with tenderness viewed through sanity.

And its that very sanity, which some critics (e.g. the authors of the Good CD Guide) deride, which makes the ethereal ending of the 15th so moving and yet so understandable, so human and universal in a way which more obviously edgy performances can't do.

The sound is equally analytical and clear, both involving and ... Read More:

5.Angels in Poverty [12" VINYL] by: Rob Smith
February 16, 2004
Average Rating:  out of 5 stars

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Search : Angels in Poverty [12" VINYL]
You don't go to Haitink for extremes or quirkiness, so it may seem odd to recommend his recording of a work which some other conductors play as if it was the epitome of irony and quirkiness. But, just as his Mahler 6th of the early sixties offered a truly symphonic and comprehensible picture of that dark and tragic work, so this Shostakovich 15th brings us profundity mixed with tenderness viewed through sanity.

And its that very sanity, which some critics (e.g. the authors of the Good CD Guide) deride, which makes the ethereal ending of the 15th so moving and yet so understandable, so human and universal in a way which more obviously edgy performances can't do.

The sound is equally analytical and clear, both involving and ... Read More:

6.Up on the Downs by: Rob Smith
November 03, 2003
Average Rating:  out of 5 stars

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Search : Up on the Downs
List Price: £15.99
Off The Bookshelf's Price: £12.99
You Save: £3.00 (19%)
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Used Price: £66.46

You don't go to Haitink for extremes or quirkiness, so it may seem odd to recommend his recording of a work which some other conductors play as if it was the epitome of irony and quirkiness. But, just as his Mahler 6th of the early sixties offered a truly symphonic and comprehensible picture of that dark and tragic work, so this Shostakovich 15th brings us profundity mixed with tenderness viewed through sanity.

And its that very sanity, which some critics (e.g. the authors of the Good CD Guide) deride, which makes the ethereal ending of the 15th so moving and yet so understandable, so human and universal in a way which more obviously edgy performances can't do.

The sound is equally analytical and clear, both involving and ... Read More:

7.Up on the Downs [VINYL] by: Rob Smith
November 03, 2003
Average Rating:  out of 5 stars

>>More Details
Search : Up on the Downs [VINYL]
You don't go to Haitink for extremes or quirkiness, so it may seem odd to recommend his recording of a work which some other conductors play as if it was the epitome of irony and quirkiness. But, just as his Mahler 6th of the early sixties offered a truly symphonic and comprehensible picture of that dark and tragic work, so this Shostakovich 15th brings us profundity mixed with tenderness viewed through sanity.

And its that very sanity, which some critics (e.g. the authors of the Good CD Guide) deride, which makes the ethereal ending of the 15th so moving and yet so understandable, so human and universal in a way which more obviously edgy performances can't do.

The sound is equally analytical and clear, both involving and ... Read More:

8.Great Moments of the 20th Century by: Various
November 06, 2000
Average Rating:  out of 5 stars

>>More Details
Search : Great Moments of the 20th Century
You don't go to Haitink for extremes or quirkiness, so it may seem odd to recommend his recording of a work which some other conductors play as if it was the epitome of irony and quirkiness. But, just as his Mahler 6th of the early sixties offered a truly symphonic and comprehensible picture of that dark and tragic work, so this Shostakovich 15th brings us profundity mixed with tenderness viewed through sanity.

And its that very sanity, which some critics (e.g. the authors of the Good CD Guide) deride, which makes the ethereal ending of the 15th so moving and yet so understandable, so human and universal in a way which more obviously edgy performances can't do.

The sound is equally analytical and clear, both involving and ... Read More:

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