Off The Bookshelf Hoya 52mm Multi Lens Hood for Wide, Standard & Telephoto Lenses Search Photo

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141.Cokin - Neutral grey creative filter ND8 P154 from: Cokin
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142.Nikon D40, D60 - 52mm High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) - (NOT NIKON BRAND from: Blue Nook
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143.Hoya Filter 52 NDX4 from: Hoya
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144.Nikon AF-S 24-70mm/2.8G ED from: Nikon July 22, 2008
Average Rating: >>More Details		Off The Bookshelf's Price: £1,214.46 Prices subject to change.
This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration. This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less ... Read More:

145.Olympus EVOLT E-410, EVOLT E-510 - 58mm High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) - (not Olympus Brand) from: Blue Nook
Average Rating: >>More Details
This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration. This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less ... Read More:

146.Hama Skylight Economy Filter 52mm from: Hama November 06, 2003
Average Rating: >>More Details		Off The Bookshelf's Price: £8.41 Prices subject to change.
This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration. This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less ... Read More:

147.Hoya Super HMC Pro1 77mm Circular Polarizing Filter (Pro-1 SHMC) from: Hoya
Average Rating: >>More Details
This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration. This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less ... Read More:

148.Mirror Ball Kit With 204mm Mirror Ball, Rotator, Pin Spot, Par 36 Lamp and 5 Coloured Filters. Pict from: Electrovision
Average Rating: >>More Details
This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration. This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less ... Read More:

149.Nikon 77Mm Filter Nc Neutral Colour from: Nikon August 01, 2003
Average Rating: >>More Details		Off The Bookshelf's Price: £66.94 Prices subject to change.
This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration. This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less ... Read More:

150.Hoya 52mm Multi Lens Hood for Wide, Standard & Telephoto Lenses from: Hoya
Average Rating: >>More Details
This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration. This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less ... Read More:

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